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Tuesday, October 1st, 2019
$20 ADV / $25 DOS / ALL AGES / BALLROOM
$50 Meet & Greet (Online Only)
• 1 General Admission Ticket
• Post-show private performance of 1-2 songs in an intimate setting
• Group photo with the band
• Opportunities to have band sign merch purchased at show
• Exclusive VIP laminate
• Devotchka bandanna
• Devotchka Enamel Pin
A cross-pollination of numerous influences, including cabaret, spaghetti Westerns, norteño, punk, and the immigrant dance music of Eastern Europe, Colorado-based quartet DeVotchKa, formed in Denver by multi-instrumentalists Nick Urata (vocals, guitar, trumpet),
Tom Hagerman (violin, accordion), Jeanie Schroder (sousaphone, bass) and percussionist Shawn King, emerged as unlikely indie heroes in the mid-2000s infusing modern indie music with a global flavor.
They found widespread success in 2006 with their Grammy-nominated soundtrack to the hit indie film Little Miss Sunshine. Signing with revered indie, Anti-, the band delivered A Mad and Faithful Telling in early 2008, reaching the number nine slot on the Billboard Heatseekers chart. A lengthy world tour followed, including stops at major festivals like Bonnaroo, Lollapalooza, and Bumbershoot. After doing more soundtrack work, this time for the 2009 comedy I Love You Phillip Morris, the group returned to the studio for 2011’s moody and triumphant 100 Lovers. Embarking on another world tour, they collaborated with the Colorado Symphony on the 2012 concert album Live with the Colorado Symphony. Over the next several years, Urata became increasingly involved in his own film composition career, scoring movies like Crazy Stupid Love, Whiskey Tango Foxtrot, Paddington, and the Netflix series A Series of Unfortunate Events. Meanwhile, the band regrouped for a lengthy recording session, eventually returning in 2018 with their sixth album, This Night Falls Forever, this time via Concord Records.
The Joy Formidable (UNPLUGGED SET)
AAARTH makes a statement unlike its predecessors. Drawing inspiration from a worldwide climate of political and social uncertainty the band transplanted themselves in Utah's vivid natural landscape immersed in a collage of colors and light, the ever fluid and expansive Southwestern sky mirroring our rapidly-changing world. The deep burnt-orange rocks and canyons became touchstones as the band formed the sonic landscapes of AAARTH. From soaring choruses to percussive pulsating guitars, The Joy Formidable paint an 11 song musical tapestry deftly balancing a sound as grounded as their ancient surroundings and as elusive and mind-bending as a gloaming desert sky.
AAARTH first came to life on the road penning lyrics and recording selected parts in hotel rooms around the world. They self-produced and mixed most of the album in their mobile recording studio. This critically adored trio is comprised of Ritzy Bryan (lead vocals, guitars), Rhydian Dafydd (bass, backing vocals) and Matt Thomas (drums, percussion). Formed in North Wales 10 years ago, each album they've released has been a joyful adventure and reflection of their fearless creative discovery and self evolution. The Joy Formidable has always refused to be fenced in or fit in. That restless and boundless artistic journey continues on their fourth album, an arresting and unapologetic tour de force that finds a band at its apex with no sign of getting comfortable.
Certainly, the road to AAARTH hasn’t always been easy. Staying together as a band for 10 years requires immense tenacity and passion, both of which The Joy Formidable have never lost. That same tenacity echoes in their new unrelenting affecting musical treatise. The songs, melodies, and arrangements on AAARTH soar seamlessly from the personal to the epic sometimes in loneliness, vulnerability, disillusionment, joy,and redemption, but all the while refusing to deny the persistence of our own and other's imperfectly beautiful humanity. Fernando Chamerelli's evocative album art frames this vibrant, diverse, and playful melodic and lyrical collage.
While the sounds build the mood at the heart of this album are haunting songs that don't let go, “Cicada (Land On Your Back)” draws on the shamanistic influence of Utah, infusing the melody with a lingering psychedelic impression. “We wanted some kind of rebirth, the way you do in a tribal drug ceremony,” Rhydian says. “We wanted to lose ourselves and start again.” These themes of feeling lost and letting go only to reconnect with yourself thread through the songs. In "All and All" these themes are echoed, as the guitars hypnotically build into a crashing tide of reckless abandon, hope, yearning, and desperation.
There’s one little part of me
that doesn’t want to let go
It’s easier to be the old me
I’m tired of staring down the price of bravery
All in all there’s something missing
All in all there’s something you can do
I won’t play it down or pretend I haven’t found
Because all in all there’s something in you
The album is book-ended by two songs that calls for a world less divided, offering a dual desire that we take on the challenge to find love and forgiveness across entrenched divisions, while reminding us that healing journey cannot happen unless we also allow forgiveness and love for ourselves. “Y Bluen Eira,” written in Welsh, invokes a white feather, a symbol of weakness in British history, and a snowflake. “It’s very easy to write off a whole group of people just by labeling them,” Ritzy notes. “That leads to a lack of communication and isolation. If we can be curious and courageous, then maybe we will find conversation across the spectrums that divide us and maybe even find new patterns to heal our world and ourselves".
All in all, there’s something missingn doways been easy. Staying together as a band for 10 years requires immense tenacity and passion, both of which The Joy Formidable have never lost. That same tenacity echoes in their new unrelenting affecting musical treatise. The songs, melodies, and arrangements on AAARTH soar seamlessly from the personal to the epic sometimes in loneliness, vulnerability, disillusionment, joy, and redemption, but all the while refusing to deny the persistence of our own and other's imperfectly beautiful humanity. Fernando Chamerelli's evocative album art frames this vibrant, diverse, and playful melodic and lyrical collage.lbum, an arresting and unapologetic tour de force that finds a band at its apex with no sign of getting comfortable. own terms.
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